National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
SPECIFICS OF CREATING SOUND DESIGN OF ANIMATED FILM
Karhánková, Kateřina ; KUBÍČEK, Jiří (advisor) ; GREINER, Ladislav (referee)
The thesis explores the production of sound for animated film – its specifics as well as aspects of realization and of preparation and audio dramaturgy. It examines how they impact storytelling and the extent to which it is possible and useful to work with them from the very beginning of development of an animated film. The thesis also presents the practical and creative possibilities of cooperation between director and sound designer, alongside factors that may have a positive or negative influence in this regard. It draws on literary sources, interviews with the makers of animated films and knowledge acquired by the author in the field of directing and screenwriting of animated films. The thesis confirms the importance of the role of sound in animated film and its positive influence on the resulting quality of AV work (unless it has been omitted from the start of the filmmaking process). It summarizes the basic approaches that allow animators to work with sound in animated film as a fully-fledged narrative component.
Defining characters with sound
Hilčanský, Peter ; KUDLÁČ, Jakub (advisor) ; REJHOLEC, Pavel (referee)
The purpose of this study is to show specific methods of feature film sound dramaturgy: defining characters with sound. Specifically, how can sound help to create stronger, more memorable characters, reveal their weaknesses, psychological states or create qualities that would not be possible to create some other way. It is specific technique not use in every film. However there is lot of different kinds of films that can strongly benefit from using it. Our aim will be to find interesting films and analyze principles of sound dramaturgy and film language used. Emphasis will be given on the fact, that it is important to incorporate these ideas into the script and think about them in preparation phase of movie making, because in post-production it is often too late.

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